Luminosity and Chromaticity: On Light and Color

Luminosity and Chromaticity: On Light and Color

Key Terms and Ideas

  • Luminosity and Chromaticity
  • Light and Color
  • Diwali (Festival of Light) and Holi (Festival of Colors)
  • Rama and Krishna
  • Non Dual Vedanta and Trika Philosophy
  • 1 and 3
  • Verticalism and Horizontalism
  • Vedic and Tantric
  • Flute of Krishna and Shiva Jyotir Linga
  • Bow and Arrow of Ram
  • Ram Parivar and Shiv Parivar
  • Shiv Ratri
  • Plato and Aristotle
  • Sun, Moon, Earth and Mars
  • Rods and Cones in Retina
  • Color Temperature
  • Lok and Kosh
  • Seven Chakra
  • Trishool
  • Ram, Lakshman, Sita, Hanuman
  • Achromatic and Chromatic
  • Grey scale and Color Primaries
  • Mind and Moon
  • Moon and Emotions
  • Tone Circle
  • Color Circle
  • Pythagoras
  • 3 and 7
  • 137
  • 007
  • Prism
  • Seven Colors
  • 4 + 3 = 7
  • 4 x 3 = 12
  • Pentatonic
  • Heptatonic
  • Diatonic Scale
  • Chromatic Scale

Newton’s Color Circle

Source: http://winlab.rutgers.edu/~trappe/Courses/ImageVideoS06/MollonColorScience.pdf

Color Circle in Opticks of I.Newton

Source: Reprint of Opticks by Project Gutenberg

Color Sensation

Source: Understanding color & the in-camera image processing pipeline for computer vision

Electromagnetic Spectrum

Source: Notes for the course of Color Digital Image Processing

Color Temperature

Source: Understanding color & the in-camera image processing pipeline for computer vision

Color Temperatures of the Stars

Luminosity Function

Source: Understanding color & the in-camera image processing pipeline for computer vision

CIE 1931 XYZ

Source: Understanding color & the in-camera image processing pipeline for computer vision

Luminance

Source: Human Vision and Color

Brightness, Lightness,Hue, Saturation, and Luminosity

Source: The Brightness of Colour

Brightness has been defined as the perceived intensity of a visual stimulus, irrespective of its source. Lightness, on the other hand, is defined as the apparent brightness of an object relative to the object’s reflectance. Thus increasing the intensity of light falling on an object will increase its apparent brightness but not necessarily its apparent lightness, other things being equal [1]. Saturation is a measure of the spectral ‘‘purity’’ of a colour, and thus how different it is from a neutral, achromatic stimulus. Hue is the perception of how similar a stimulus is to red, green, blue etc. Luminous efficiency, or luminosity, measures the effect that light of different wavelengths has on the human visual system. It is a function of wavelength, usually written as V(l) [2], and is typically measured by rapidly alternating a pair of stimuli falling on the same area of the retina; the subject alters the physical radiance of one stimulus until the apparent flickering is minimised. Thus luminance is a measure of the intensity of a stimulus given the sensitivity of the human visual system, and so is integrated over wavelength [3]. Luminance is thought to be used by the brain to process motion, form and texture [4].

Clearly, brightness is monotonically related to luminance in the simplest case: the more luminant the stimulus is, the brighter it appears to be. However, the Helmholtz-Kohlrausch (HK) effect shows that the brightness of a stimulus is not a simple representation of luminance, since the brightness of equally luminant stimuli changes with their relative saturation (i.e. strongly coloured stimuli appear brighter than grey stimuli), and with shifts in the spectral distribution of the stimulus (e.g. ‘blues’ and ‘reds’ appear brighter than ‘greens’ and ‘yellows’ at equiluminance) [1; 5–6].

The HK effect has been measured in a variety of psychophysical studies [7–8] and is often expressed in terms of the (variable) ratio between brightness and luminance. 

Chromaticity

Source: Human Vision and Color

Human Eye

Source: Human Vision and Color

Human Retina

Source: Human Vision and Color

Rods and Cones Photoreceptors

Source: Human Vision and Color

Color Receptors

Source: Human Vision and Color

Tristimulus Color

Source: Color/CMU

Visual Sensitivity

Source: Human Vision https://people.cs.umass.edu/~elm/Teaching/ppt/691a/CV%20UNIT%20Light/691A_UNIT_Light_1.ppt.pdf

Light and Color (Photometry and Colorimetry) I

Source: Interactive Computer Graphics/UOMichigan

Light and Color (Photometry and Colorimetry) II

Source: Interactive Computer Graphics/UOMichigan

Two Types of Light Sensitive Cells

Source: Interactive Computer Graphics/UOMichigan

Cones and Rod Sensitivity

Source: Interactive Computer Graphics/UOMichigan

Distribution of Cones in Retina

Source: DIVERSE CELL TYPES, CIRCUITS, AND MECHANISMS FOR COLOR VISION IN THE VERTEBRATE RETINA

Types of Color Stimuli

Source: Perceiving Color. https://www.ics.uci.edu/~majumder/vispercep/chap5notes.pdf

Color Perception

Source: Perceiving Color. https://www.ics.uci.edu/~majumder/vispercep/chap5notes.pdf

CIE XYZ Model

Source: Human Vision and Color

Luminance and Chromaticity Space

Source: Understanding color & the in-camera image processing pipeline for computer vision

1931 CIE Chromaticity Chart

CIE 1931 Chromaticity Diagram

Source: Human Vision and Color

Source: Notes for the course of Color Digital Image Processing

Additive Colors

Source: Human Vision and Color

Subtractive Colors

Source: Human Vision and Color

Color Mixing

Source: Human Vision and Color

Color Appearance Models
  • RGB
  • CMY
  • CIE XYZ
  • CIE xyY
  • CIE LAB
  • Hunter LAB
  • CIE LUV
  • CIE LCH
  • HSB
  • HSV
  • HSL
  • HSI
  • YIQ for NTSC TVs in USA
  • YUV for PAL TVs in EU
  • YCbCr for digital TVs
  • Munsell Color System

Color Models are device independent. For discussion of device dependent color spaces, please see my post Digital Color and Imaging.

LMS, RGB, and CIE XYZ Color Spaces

Source: Color/CMU

HSV Color Space

My Related Posts

Reflective Display Technology: Using Pigments and Structural Colors

Color Science and Technology in LCD and LED Displays

Color Science of Gem Stones

Nature’s Fantastical Palette: Color From Structure

Optics of Metallic and Pearlescent Colors

Color Change: In Biology and Smart Pigments Technology

Color and Imaging in Digital Video and Cinema

Digital Color and Imaging

On Luminescence: Fluorescence, Phosphorescence, and Bioluminescence

On Light, Vision, Appearance, Color and Imaging

Understanding Rasa: Yoga of Nine Emotions

Shapes and Patterns in Nature

Key Sources of Research

What Are The Characteristics Of Color?

https://www.pantone.com/articles/color-fundamentals/what-are-the-characteristics-of-color

Birren Color Theory

by ADMIN on MARCH 11, 2012

http://www.wonderfulcolors.org/blog/birren-color-theory/

Light, Color, Perception, and Color Space Theory

Professor Brian A. Barsky

barsky@cs.berkeley.edu

Computer Science Division
Department of Electrical Engineering and Computer Sciences University of California, Berkeley

Understanding Color Spaces and Color Space Conversion

https://www.mathworks.com/help/images/understanding-color-spaces-and-color-space-conversion.html

The Human Visual System and Color Models

Click to access Carmody_Visual&ColorModels.pdf

Defining and Communicating Color: The CIELAB System

Color Vision and Arts

http://www.webexhibits.org/colorart/index.html

PRECISE COLOR COMMUNICATION: COLOR CONTROL FROM PERCEPTION TO INSTRUMENTATION

KonicaMinolta

A short history of color theory

https://programmingdesignsystems.com/color/a-short-history-of-color-theory/index.html

Let’s Colormath

Understanding the formulas of color conversion

https://donatbalipapp.medium.com/colours-maths-90346fb5abda

A History of Human Color Vision—from Newton to Maxwell

Barry R. Masters

Optics and Photonics January 2011

https://www.osa-opn.org/home/articles/volume_22/issue_1/features/a_history_of_human_color_vision—from_newton_to_max/

The Difference Between Chroma and Saturation

Munsell Color

Charles S. Peirce’s Phenomenology: Analysis and Consciousness

By Richard Kenneth Atkins

The Evolution of Human Color Vision/ Jeremy Nathans

Jeremy Nathans Lecture on Color Vision

JEREMY NATHANS LECTURE ON COLOR VISION

JEREMY NATHANS LECTURE ON COLOR VISION

JEREMY NATHANS LECTURE ON COLOR VISION

The Genes for Color Vision

Jeremy Nathans

SCIENTIFIC AMERICAN FEBRUARY 1989

A Short History of Color Photography

Photography  |  Angie Kordic

https://www.widewalls.ch/magazine/color-photography

Blue: The History of a Color (2001)

followed by Black: The History of a Color (2009) and then Green: The History of a Color (2014), all produced by the same publisher. A fifth, devoted to yellow, should come next. 

Historic Look on Color Theory 

Steele R. Stokley

The evolution of colour in design from the 1950s to today

Francesca Valan

Journal of the International Colour Association (2012): 8, 55-60

Greek Color Theory and the Four Elements

J.L. Benson

University of Massachusetts Amherst

A SHORT HISTORY OF COLOUR PHOTOGRAPHY

https://blog.scienceandmediamuseum.org.uk/a-short-history-of-colour-photography/

History of Color System

The Origins of Modern Color Science

J D Mollon

Click to access MollonColorScience.pdf

The History of Colors

Tobias Kiefer

Click to access Assignment_History_of_Colors.PDF

Notes for the course of Color Digital Image Processing

Edoardo Provenzi

Understanding color & the in-camera image processing pipeline for computer vision

Dr. Michael S. Brown

Canada Research Chair Professor York University – Toronto

ICCV 2019 Tutorial – Seoul, Korea

Chapter 2
Basic Color Theory

Click to access t3.pdf

Color Science

CS 4620 Lecture 26

Click to access 26color.pdf

Color Image Perception, Representation and Contrast Enhancement

Yao Wang
Tandon School of Engineering, New York University

A GUIDE TO LIGHT AND COLOUR DEMONSTRATIONS

Arne Valberg, Bjørg Helene Andorsen, Kine Angelo, Barbara Szybinska Matusiak and Claudia Moscoso

Norwegian University of Science and Technology Trondheim, Norway

https://www.ntnu.edu/documents/1272527942/1272817015/2015-09-08+DEMO+web.pdf/f1695ca5-b834-4d05-a011-a185f6562e32

A Primer to Colors in Digital Design

Archit Jha

Jul 16, 2017

https://uxdesign.cc/a-primer-to-colors-in-digital-design-7d16bb33399e

Chapter 7 ADDITIVE COLOR MIXING

Click to access 07_additive-color.pdf

Computergrafik

Matthias Zwicker Universität Bern Herbst 2016

Color

Click to access ColorPerception.pdf

Introduction to Computer Vision

The Perception of Color

In: Webvision: The Organization of the Retina and Visual System [Internet]. Salt Lake City (UT): University of Utah Health Sciences Center; 1995–.2005 May 1 [updated 2007 Jul 9]

https://pubmed.ncbi.nlm.nih.gov/21413396/

Visual Pigment Gene Structure and Expression in Human Retinae 

Tomohiko Yamaguchi,  Arno G. Motulsky,  Samir S. Deeb

Human Molecular Genetics, Volume 6, Issue 7, July 1997, Pages 981–990, https://doi.org/10.1093/hmg/6.7.981

https://academic.oup.com/hmg/article/6/7/981/572151

The Difference Between Chroma and Saturation

LUMINANCE AND CHROMATICITY

https://colorusage.arc.nasa.gov/lum_and_chrom.php

Number by Colors

A Guide to Using Color to Understand Technical Data
  • Brand Fortner
  • Theodore E. Meyer

Chapter 5 Perceiving Color

The Practical Guide To Color Theory For Photographers

History of the Bauhaus

https://bauhaus.netlify.app/form_color/color/

The Digital Artist’s Complete Guide To Mastering Color Theory

byLeigh G

BASIC COLOR THEORY

Anthony Holdsworth

Molecular Genetics of Color Vision and Color Vision Defects

Maureen Neitz, PhDJay Neitz, PhD

Arch Ophthalmol. 2000;118(5):691-700. doi:10.1001/archopht.118.5.691

https://jamanetwork.com/journals/jamaophthalmology/fullarticle/413200

Color Theory: Introduction to Color Theory and the Color Wheel

https://blog.thepapermillstore.com/color-theory-introduction-color-wheel/

Color Spaces and Color Temperature

https://tigoe.github.io/LightProjects/color-spaces-color-temp.html

The Brightness of Colour

David Corney1, John-Dylan Haynes2, Geraint Rees3,4, R. Beau Lotto1*

EECS 487: Interactive Computer Graphics

Colorimetry

KonicaMinolta

Basics of Color Theory

THE BASICS OF COLOR PERCEPTION AND MEASUREMENT

Hunterlab

https://www.hunterlab.com/color-measurement-learning/glossary/

Color Matching and Color Discrimination

The Science of Color

2003

http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.457.9467&rep=rep1&type=pdf

1.3 Color Temperature

https://www.mat.univie.ac.at/~kriegl/Skripten/CG/CG.html

https://www.mat.univie.ac.at/~kriegl/Skripten/CG/node10.html

Color Spaces and Color Temperature

https://tigoe.github.io/LightProjects/color-spaces-color-temp.html

Digital Camera Sensor Colorimetry

Douglas A. Kerr

Click to access Sensor_Colorimetry.pdf

Chromatic luminance, colorimetric purity, and optimal aperture‐color stimuli

DOI: 10.1002/col.20356

https://www.researchgate.net/publication/230164581_Chromatic_luminance_colorimetric_purity_and_optimal_aperture-color_stimuli

Title: A Review of RGB Color Spaces …from xyY to R’G’B’

The CIE XYZ and xyY Color Spaces

Douglas A. Kerr

Click to access CIE_XYZ.pdf

DIVERSE CELL TYPES, CIRCUITS, AND MECHANISMS FOR COLOR VISION IN THE VERTEBRATE RETINA

Wallace B. Thoreson and Dennis M. Dacey

Department of Ophthalmology and Visual Sciences, Truhlsen Eye Institute, University of Nebraska Medical Center, Omaha, Nebraska; and Department of Biological Structure, Washington National Primate Research Center, University of Washington, Seattle, Washington

Physiol Rev 99: 1527–1573, 2019 Published May 29, 2019; doi:10.1152/physrev.00027.2018

https://journals.physiology.org/doi/pdf/10.1152/physrev.00027.2018

Human Vision

Introduction to color theory

https://graphics.stanford.edu/courses/cs178-10/applets/locus.html

COLOR WHEELS

https://www2.bellevuecollege.edu/artshum/materials/art/tanzi/Winter04/111/111CLRWHLSW04.htm

Human Vision and Color

UT

Click to access 121.pdf

COLOR VISION MECHANISMS

Andrew Stockman

Department of Visual Neuroscience UCL Institute of Opthalmology London, United KIngdom

David H. Brainard

Department of Psychology University of Pennsylvania Philadelphia, Pennsylvania

Color

CMU

Click to access lecture15.pdf

What Are The Characteristics Of Color?

Pantone

https://www.pantone.com/articles/color-fundamentals/what-are-the-characteristics-of-color

A Guide to Color


Guide C-316
Revised by Jennah McKinley

https://aces.nmsu.edu/pubs/_c/C316/welcome.html

A History of Color

The Evolution of Theories of Lights and Color
  • Robert A. Crone

https://link.springer.com/book/10.1007/978-94-007-0870-9

The Brilliant History of Color in Art

Victoria Finlay

A History of Light and Colour Measurement
Science in the Shadows

Sean F Johnston

University of Glasgow, Crichton Campus, UK

Color codes: modern theories of color in philosophy, painting and architecture, literature, music and psychology

Charles Riley

Chapter 6 Colour

History of Color Systems

The Pillar of Celestial Fire

The Pillar of Celestical Fire

 

On top, sits Brahma

At bottom, Hari (Vishnu) in Boar (Varaha) Avatar

 

Key Terms

  • Mount Meru
  • Alif
  • Lingam
  • Danda
  • Meru Danda
  • Staff
  • Skambha
  • Stambha
  • Yupa-Stambha
  • Pillar
  • Fire
  • Jwala Linga
  • Agni Linga
  • One
  • 1
  • Ek Seedhi Lakir
  • Straight Vertical Line
  • Danda and the Serpent
  • Verticalism and Horizontalism
  • +
  • Ek Onkar
  • Om
  • Pranav
  • Fire Ascends
  • Yagya
  • Yajna
  • Ascending God
  • Water Descends
  • Descending God
  • Avatar
  • It rains
  • Falling Rains
  • Fall
  • Water flows Horizontally
  • Fire leaps Vertically
  • A Torus
  • An Apple
  • Atharv Veda, The Fourth Veda
  • Ida Lunar Vishnu
  • Pingala Solar Brahma
  • Sushumana  Agni Shiva Central Column
  • Sukhmani
  • 4 – 3 – 2 – 1
  • 432
  • 4321
  • 4/3 Fourth
  • 3/2 Fifth
  • 2/1 Octave
  • 1 great Monad
  • Pingala and Panini
  • Fire and Water
  • Mahat Tattva
  • Sa Re Ga Ma Pa Dha Ni
  • Saptak
  • Pancham

 

 

HYMN VII

Skambha, the Pillar or Fulcrum of all existenc

Atharva Veda ( X – 7,8) — Skambha Suktam

The origins of the worship of the Shiva-Linga are unknown. Shiva-Linga has one complete purana which is dedicated to its form and origin. It may be a symbolic representation of self (Atma Linga) or of everything. Some associate it with the physical form of Pranava (Om). Oval form represents even the shape of the Universe including the existing space. The beginning of the oval form is A in OM and prolonged part is U in OM and M is the ending part of the linga. It is single shape of Trimurti. Praying Shiva Linga is considered as praying the Thrimurti in absolute form. Linga represents absolute and Single power of this universe. Some associate them with the famous hymn in the Atharva-Veda Samhitâ sung in praise of the Yupa-Stambha, the sacrificial post. In that hymn a description is found of the beginningless and endless Stambha or Skambha and it is shown that the said Skambha is put in place of the eternal Brahman. As afterwards the Yajna (sacrificial) fire, its smoke, ashes and flames, the Soma plant and the ox that used to carry on its back the wood for the Vedic sacrifice gave place to the conceptions of the brightness of Shiva’s body, his tawny matted-hair, his blue throat and the riding on the bull of the Shiva. The Yupa-Skambha gave place in time to the Shiva-Linga. In the Linga Purâna the same hymn is expanded in the shape of stories, meant to establish the glory of the great Stambha and the superiority of Mahâdeva.

In the context of Hindu mythology, stambha, also spelt as Skambha, is believed to a cosmic column. It is believed that the stambha functions as a bond, which joins the heaven (Svarga) and the earth (prithvi). A number of Hindu scriptures, including the Atharva Veda, have references to stambha. In the Atharva Veda, a celestial stambha has been mentioned, and that has been described as a scaffold, which supports the cosmos and material creation

Skambha Sukta ( Atharva Veda X-7 )

kásminn áṅge tápo asyā́dhi tiṣṭhati kásminn áṅga r̥tám asyā́dhy ā́hitam
kvà vratáṃ kvà śraddhā́sya tiṣṭhati kásminn áṅge satyám asya prátiṣṭhitam 1

kásmād áṅgād dīpyate agnír asya kásmād áṅgāt pavate mātaríśva
kásmād áṅgād ví mimīté ‘dhi candrámā mahá skambhásya mímāno áṅgam 2

kásminn áṅge tiṣṭhati bhū́mir asya kásminn áṅge tiṣṭhaty antárikṣam
kásminn áṅge tiṣṭhaty ā́hitā dyáuḥ kásminn áṅge tiṣṭhaty úttaraṃ diváḥ 3

kvà prépsan dīpyata ūrdhvó agníḥ kvà prépsan pavate mātaríśvā
yátra prépsantīr abhiyánty āvŕ̥taḥ skambháṃ táṃ brūhi katamáḥ svid evá sáḥ 4

kvā̀rdhamāsā́ḥ kvà yanti mā́sāḥ saṃvatsaréṇa sahá saṃvidānā́ḥ
yátra yánty r̥távo yátrārtavā́ḥ skambháṃ táṃ brūhi katamáḥ svid evá sáḥ 5

kvà prépsantī yuvatī́ vírūpe ahorātré dravataḥ saṃvidāné
yátra prépsantīr abhiyánty ā́paḥ skambháṃ táṃ brūhi katamáḥ svid evá sáḥ 6

yásmint stabdhvā́ prajā́patir lokā́nt sárvām̐ ádhārayat
skambháṃ táṃ brūhi katamáḥ svid evá sáḥ 7

yát paramám avamám yác ca madhyamáṃ prajā́patiḥ sasr̥jé viśvárūpam
kíyatā skambháḥ prá viveśa tátra yán ná prā́viśat kíyat tád babhūva 8

kíyatā skambháḥ prá viveśa bhūtám kíyad bhaviṣyád anvā́śaye ‘sya
ékaṃ yád áṅgam ákr̥ṇot sahasradhā́ kíyatā skambháḥ prá viveśa tátra 9

yátra lokā́mś ca kóśāṃś cā́po bráhma jánā vidúḥ
ásac ca yátra sác cāntá skambháṃ táṃ brūhi katamáḥ svid evá sáḥ 10

yátra tápaḥ parākrámya vratáṃ dhāráyaty úttaram
r̥táṃ ca yátra śraddhā́ cā́po bráhma samā́hitāḥ skambháṃ táṃ brūhi katamáḥ svid evá sáḥ 11

yásmin bhū́mir antárikṣaṃ dyáur yásminn ádhy ā́hitā
yátrāgníś candrámāḥ sū́ryo vā́tas tiṣṭhanty ā́rpitāḥ skambháṃ táṃ brūhi katamáḥ svid evá sáḥ 12

yásya tráyastriṃśad devā́ áṅge sárve samā́hitāḥ
skambháṃ táṃ brūhi katamáḥ svid evá sáḥ 13

yátra ŕ̥ṣayaḥ prathamajā́ ŕ̥caḥ sā́ma yájur mahī́
ekarṣír yásminn ā́rpitaḥ skambháṃ táṃ brūhi katamáḥ svid evá sáḥ 14

yátrāmŕ̥taṃ ca mr̥tyúś ca púruṣé ‘dhi samā́hite
samudró yásya nāḍyàḥ púruṣé ‘dhi samā́hitāḥ skambháṃ táṃ brūhi katamáḥ svid evá sáḥ 15

yásya cátasraḥ pradíśo nāḍyàs tíṣṭhanti prathamā́ḥ
yajñó yátra párākrāntaḥ skambháṃ táṃ brūhi katamáḥ svid evá sáḥ 16

yé púruṣe bráhma vidús té viduḥ parameṣṭhínam
yó véda parameṣṭhínaṃ yáś ca véda prajā́patim
jyeṣṭháṃ yé brā́hmaṇaṃ vidús te skambhám anusáṃviduḥ 17

yásya śíro vaiśvānaráś cákṣur áṅgirasó ‘bhavan
áṅgāni yásya yātávaḥ skambháṃ táṃ brūhi katamáḥ svid evá sáḥ 18

yásya bráhma múkham āhúr jihvā́ṃ madhukaśā́m utá
virā́jam ū́dho yásyāhúḥ skambháṃ táṃ brūhi katamáḥ svid evá sáḥ 19

yásmād ŕ̥co apā́takṣan yájur yásmād apā́kaṣan
sā́māni yásya lómāny atharvāṅgiráso múkhaṃ skambháṃ táṃ brūhi katamáḥ svid evá sáḥ 20

asaccākhā́ṃ pratíṣṭhantīṃ paramám iva jánā viduḥ
utó sán manyanté ‘vare yé te śā́khām upā́sate 21

yátrādityā́ś ca rudrā́ś ca vásavaś ca samā́hítāḥ
bhūtáṃ ca yátra bhávyaṃ ca sárve lokā́ḥ prátiṣṭhitāḥ skambháṃ táṃ brūhi katamáḥ svid evá sáḥ 22

yásya tráyastriṃśad devā́ nidhíṃ rákṣanti sarvadā́
nidhíṃ tám adyá kó veda yáṃ devā abhirákṣatha 23

yátra devā́ brahmavído bráhma jyeṣṭhám upā́sate
yó vái tā́n vidyā́t pratyákṣaṃ sá brahmā́ véditā syāt 24

br̥hánto nā́ma té devā́ yé ‘sataḥ pári jajñiré
ékaṃ tád áṅgaṃ skambhásyā́sad āhuḥ paró jánāḥ 25

yátra skambháḥ prajanáyan purāṇáṃ vyávartayat
ékaṃ tád áṅgaṃ skambhásya purāṇám anusáṃviduḥ 26

yásya tráyastriṃśad devā́ áṅge gā́trā vibhejiré
tā́n vái tráyastriṃśad devā́n éke brahamvído viduḥ 27

hiraṇyagarbhám paramám anatyudyáṃ jánā viduḥ
skambhás tád ágre prā́siñcad dhíraṇyaṃ loké antarā́ 28

skambhé lokā́ḥ skambhé tápaḥ skambhé ‘dhy r̥tám ā́hitam
skámbha tvā́ veda pratyákṣam índre sárvaṃ samā́hitam 29

índre lokā́ índre tápa índre ‘dhy r̥tám ā́hitam
índraṃ tvā́ veda pratyákṣaṃ skambhé sárvaṃ prátiṣṭhitam 30

nā́ma nā́mnā johavīti purā́ sū́ryāt puróṣásaḥ
yád ajáḥ prathamáṃ saṃbabhū́va sá ha tát svarā́jyam iyāya yásmān nā́nyát páram ásti bhūtám 31

yásya bhū́miḥ pramā́ntárikṣam utódáram
dívaṃ yáś cakré mūrdhā́naṃ tásmai jyeṣṭhā́ya bráhmaṇe námaḥ 32

yásya sū́ryaś cákṣuś candrámāś ca púnarṇavaḥ
agníṃ yáś cakrá āsyàṃ tásmai jyeṣṭhā́ya bráhmaṇe námaḥ 33

yásya vā́taḥ prāṇāpānáu cákṣur áṅgirasó ‘bhavan
díśo yáś cakré prajñā́nīs tásmai jyeṣṭhā́ya bráhmaṇe námaḥ 34

skambhó dādhāra dyā́vāpr̥thivī́ ubhé imé skambhó dādhārorv àntárikṣam
skambhó dādhāra pradíśaḥ ṣáḍ urvī́ḥ skambhá idáṃ víśvaṃ bhúvanam ā́ viveśa 35

yáḥ śrámāt tápaso jātó lokā́nt sárvānt samānaśé
sómaṃ yáś cakré kévalaṃ tásmai jyeṣṭhā́ya bráhmaṇe námaḥ 36

katháṃ vā́to nélayati katháṃ ná ramate mánaḥ
kím ā́paḥ satyáṃ prépsantīr nélayanti kadā́ caná 37

mahád yakṣáṃ bhúvanasya mádhye tápasi krāntáṃ salilásya pr̥ṣṭhé
tásmin chrayante yá u ké ca devā́ vr̥kṣásya skándhaḥ paríta iva śā́khāḥ 38

yásmai hástābhyāṃ pā́dābhyāṃ vācā́ śrótreṇa cákṣuṣā
yásmai devā́ḥ sádā balíṃ prayáchanti vímité ‘mitaṃ skambháṃ táṃ brūhi katamáḥ svid evá sáḥ 39

ápa tásya hatáṃ támo vyā́vr̥ttaḥ sá pāpmánā
sárvāṇi tásmin jyótīṃṣi yā́ni trī́ṇi prajā́patau 40

yó vetasáṃ hiraṇyáyaṃ tiṣṭhantaṃ salilé véda
sá vái gúhyaḥ prajā́patiḥ 41

tantrám éke yuvatī́ vírūpe abhyākrā́maṃ vayataḥ ṣáṇmayūkham prā́nyā́ tántūṃs tiráte dhatté anyā́ nā́pa vr̥ñjāte ná gamāto ántam 42

táyor aháṃ parinŕ̥tyantyor iva ná ví jānāmi yatarā́ parástāt
púmān enad vayaty úd gr̥ṇanti púmān enad ví jabhārā́dhi nā́ke 43

imé mayū́khā úpa tastabhur dívaṃ sā́māni cakrus tásarāṇi vā́tave 44

MEANING:

1)Which of his members is the seat of Fervour: Which is the base of Ceremonial Order? Where in him standeth Faith? Where Holy Duty? Where, in what part of him is truth implanted?

2)Out of which member glows the light of Agni? Form which proceeds the breath of Mātarisvan? From which doth Chandra measure out his journey, travelling over Skambha’s mighty body?

3)Which of his members is the earth’s upholder? Which gives the middle air a base to rest on? Where, in which member is the sky established? Where hath the space above the sky its dwelling?

4)Whitherward yearning blazeth Agni upward? Whitherward yearning bloweth Mātarisvan? Who out of many, tell me, is that Skambha to whom with longing go the turning pathways?

5)Whitheward go the half-months, and, accordant with the full year, the months in their procession? Who out of many, tell me, is that Skambha to whom go seasons and the groups of seasons?

6)Whitherward yearning speed the two young Damsels, accordant, Day and Night, of different colour? Who out of many, tell me, is that Skambha to whom the Waters take their way with longing?

7)Who out of many, tell me, is that Skambha, On whom Prajāpati set up and firmly stablished all the worlds?

8)That universe which Prajāpati created, wearing all forms,, the highest, midmost, lowest, How far did Skambha penetrate within it? What portion did he leave unpenetrated?

9)How far within the past hath Skambha entered? How much of him hath reached into the future? That one part which he set in thousand places,—how far did Skambha penetrate within it?

10)Who out of many, tell me, is that Skambha in whom men recognize the Waters, Brahma, In whom they know the worlds and their enclosures, in whom are non-existence and existence?

11)Declare that. Skambha, who is he of many, In whom, exerting every power, Fervour maintains her loftiest vow; In whom are comprehended Law, Waters, Devotion and Belief

12)Who out of many, tell me, is that Skambha On whom as their foundation earth and firmament and sky are set; In whom as their appointed place rest Fire and Moon and Sun and Wind?

13)Who out of many, tell me, is that Skambha He in whose body are contained all three-and-thirty Deities?

14)Who out of many, tell me, is that Skambha. In whom the Sages earliest born, the Richas, Sāman, Yajus, Earth, and the one highest Sage abide?

15)Who out of many, tell me, is the Skambha. Who comprehendeth, for mankind, both immortality and death, He who containeth for mankind the gathered waters as his veins?

16)Who out of many, tell me, is that Skambha, He whose chief arteries stand there, the sky’s four regions, he irk whom Sacrifice putteth forth its might?

17)They who in Purusha understand Brahma know Him who is. Supreme. He who knows Him who is Supreme, and he who knows the Lord of Life, These know the loftiest Power Divine, and thence know Skam- bha thoroughly.

18)Who out of many, tell me, is that Skambha Of whom Vaisvānara became the head, the Angirases his eye, and Yātus his corporeal parts?

19)Who out of many, tell me, is that Skambha Whose mouth they say is Holy Lore, his tongue the Honey- sweetened Whip, his udder is Virāj, they say?

20)Who out of many, tell me, is that Skambha From whom they hewed the lichas off, from whom they chipped the Yajus, he Whose hairs are Sāma-verses and his mouth the Atharvāngi- rases?

21)Men count as ’twere a thing supreme nonentity’s conspicuous branch; And lower man who serve thy branch regard it as an entity.

22)Who out of many, tell me, is that Skambha In whom Ādityas dwell, in whom Rudras and Vasus are contained, In whom the future and the past and all the worlds are firmly set;

23)Whose secret treasure evermore the three-and thirty Gods protect? Who knoweth now the treasure which, O Deities ye watch and guard?

24)Where the Gods, versed in Sacred Lore, worship the loftiest Power Divine The priest who knows them face to face may be a sage who knows the truth.

25)Great, verily, are those Gods who sprang from non-existence into life. Further, men say that that one part of Skambha is nonentity.

26)Where Skambha generating gave the Ancient World its shape and form, They recognized that single part of Skambha as the Ancient World,

27)The three-and-thirty Gods within his body were disposed as limbs: Some, deeply versed in Holy Lore, some know those three-and- thirty Gods.

28)Men know Hiranyagarbha as supreme and inexpressible: In the beginning, in the midst of the world, Skambha poured that gold.

29)On Skambha Fervour rests, the worlds and Holy Law repose on him. Skambha, I clearly know that all of thee on Indra is imposed.

30)On Indra Fervour rests, on him the worlds and Holy Law recline. Indra, I clearly know that all of thee on Skambha findeth rest.

31)Ere sun and dawn man calls and calls one Deity by the other’s name. When the Unborn first sprang into existence he reached that independent sovran lordship; than which aught higher never hath arisen.

32)Be reverence paid to him, that highest Brahma, whose base is Earth, his belly Air, who made the sky to be his head.

33)Homage to highest Brahma, him whose eye is Sūrya and the Moon who groweth young and new again, him who made Agni for his mouth.

34)Homage to highest Brahma, him whose two life-breathings were the Wind, The Angirases his sight: who made the regions be his means of sense.

35)Skambha set fast these two, the earth and heaven, Skambha maintained the ample air between them. Skambha established the six spacious regions: this whole world Skambha entered and pervaded.

36)Homage to highest Brahma, him who, sprung from Fervour and from toil, Filled all the worlds completely, who made Soma for himself alone.

37)Why doth the Wind move ceaselessly? Why doth the spirit take no rest? Why do the Waters, seeking truth, never at any time repose?

38)Absorbed in Fervour, is the mighty Being, in the world’s centre, on the waters’ surface. To him the Deities, one and all betake them. So stand the tree- trunk with the branches round it.

39)Who out of many, tell me, is that Skambha. To whom the Deities with hands, with feet, and voice, and ear, and eye. Present unmeasured tribute in the measured hall of sacrifice?

40)Darkness is chased away from him: he is exempt from all dist- ress. In him are all the lights, the three abiding in Prajāpati.

41)He verily who knows the Reed of Gold that stands amid the flood, is the mysterious Lord of Life.

42)Singly the two young Maids of different colours approach the six-pegged warp in turns and weave it. The one draws out the threads, the other lays them: they break them not, they reach no end of labour.

43)Of these two, dancing round as ’twere, I cannot distinguish whether ranks before the other. A Male in weaves this web, a Male divides it: a Male hath stretched it to the cope of heaven

44)These pegs have buttressed up the sky. The Sāmans have turned them into shuttles for the weaving.

AGNI_Skambha_Jpg_Mahapashupatastra

Ida-Pingala-Sushumna_JPG_Mahapashupatastra

yó bhūtáṃ ca bhávyaṃ ca sárvaṃ yáś cādhitíṣṭhati
sv àryásya ca kévalaṃ tásmai jyeṣṭhā́ya bráhmaṇe námaḥ 1
Worship to loftiest Brahma, Lord of what hath been and what shall be, To him who rules the universe, and heavenly light is all his own!
skambhénemé víṣṭabhite dyáuś ca bhū́miś ca tiṣṭhataḥ
skambhá idáṃ sárvam ātmanvád yát prāṇán nimiṣác ca yát 2
Upheld by Skambha’s power these two, the heaven and the earth,stand fast. Skambha is all this world of life, whatever breathes or shuts eye.
tisró ha prajā́ atyāyám āyan ny ànyā́ arkám abhíto ‘viśanta

br̥hán ha tasthau rájaso vimā́no hárito háriṇīr ā́ viveśa 3

Three generations have gone by and vanished and others near have entered into sunlight. There stood on high he who metes out the region into green, plants hath passed the Golden-coloured

dvā́daśa pradháyaś cakrám ékaṃ trī́ṇi nábhyāni ká u tác ciketa tátrā́hatās trī́ṇi śatā́ni śaṅkávaḥ ṣaṣṭíś ca khī́lā ávicācalā yé 4

One is the wheel, the tires are twelve in number, the naves are three What man hath understood it?Three hundred spokes have thereupon been hammered, and sixty pins set firmly in their places.

idáṃ savitar ví jānīhi ṣáḍ yamā́ éka ekajáḥ tásmin hāpitvám ichante yá eṣām éka ekajáḥ 5

Discern thou this, O Savitar. Six are the twins, one singly born.They claim relationship in that among them which is born alone.

āvíḥ sán níhitaṃ gúhā járan nā́ma mahát padám

tátredáṃ sárvam ā́rpitam éjat prāṇát prátiṣṭhitam 6

Though manifest, it lies concealed in the vast place they call the old:Therein is firmly stationed all the moving, breathing universe.

ékacakraṃ vartata ékanemi sahásrākṣaraṃ prá puró ní paścā
ardhéna víśvaṃ bhúvanaṃ jajā́na yád asyārdháṃ kvà tád babhūva 7

Up, eastward downward in the west, ‘it rolleth, with countless elements, one-wheeled, single-fellied.With half it hath begotten all creation. Where hath the other half become unnoticed?

pañcavāhī́ vahatyágram eṣāṃ práṣṭayo yuktā́ anusáṃvahanti
áyātam asya dadr̥śé ná yātáṃ páraṃ nédīyó ‘varaṃ dávīyaḥ 8

In front of these the five-horsed car moves onward: side-horses, harnessed with the others draw it. No one hath seen its hither course untravelled; the height sees it more near, the depth more distant.

tiryágbilaś camasá ūrdhvábudhnas tásmin yáśo níhitaṃ viśvárūpam
tád āsata ŕ̥ṣayaḥ saptá sākáṃ yé asyá gopā́ maható babhūvúḥ 9

The bowl with mouth inclined and bottom upward holds stored within it every form of glory.Thereon together sit the Seven Rishis who have become thismighty One’s protectors

yā́ purástād yujyáte yā́ ca paścā́d yā́ viśváto yujyáte yā́ ca sarvátaḥ
yáyā yajñáḥ prā́ṅ tāyáte tā́ṃ tvā pr̥chāmi katamā́ sā́ r̥cā́m 10

The Verse employed at opening and conclusion, the Verseemployed in each and every portion;That by which sacrifice proceedeth onward. I ask thee which is that of all the Verses

yád éjati pátati yác ca tíṣṭhati prāṇád áprāṇan nimiṣác ca yád bhúvat
tád dādhāra pr̥thivī́ṃ viśvárūpaṃ tát saṃbhū́ya bhavaty ékam evá 11

That which hath power of motion, that which flies, or stands,which breathes or breathes not, which, existing, shuts the eyeWearing all forms that entity upholds the earth, and in its closeconsistence still is only one.

anantáṃ vítataṃ purutrā́nantám ántavac cā sámante
té nākapāláś carati vicinván vidvā́n bhūtám utá bhávyam asya 12

The infinite to every side extended, the finite and the infinite around us,These twain Heaven’s Lord divides as he advances, knowing the past hereof and all the future

prajā́patiś carati gárbhe antár ádr̥śyamāno bahudhā́ ví jāyate
ardhéna víśvaṃ bhúvanaṃ jajā́na yád asyārdháṃ katamáḥ sá ketúḥ 13

Within the womb Prajapati is moving: he, though unseen, is born in sundry places. He with one half engendered all creation. What sign is there to tell us of the other?

ūrdhváṃ bhárantam udakáṃ kumbhénevodahāryàm
páśyanti sárve cákṣuṣā ná sárve mánasā viduḥ 14

All men behold him with the eye, but with the mind they know not him.Holding aloft the water as a water-bearer in her jar.

dūré pūrṇéna vasati dūrá ūnéna hīyate
mahád yakṣáṃ bhúvanasya mádhye tásmai balíṃ rāṣṭrabhŕ̥to bharanti 15

With the full vase he dwells afar, is left far off what time it fails, A mighty Being in creation’s centre: to him the rulers of the realms bring tribute.

yátaḥ sū́ryaḥ udéty ástaṃ yátra ca gáchati
tád evá manye ‘háṃ jyeṣṭháṃ tád u nā́ty eti kíṃ caná 16

That, whence the Sun arises, that whither he goes to take his rest,That verily I hold supreme: naught in the world surpasses it.

yé arvā́ṅ mádhya utá vā purāṇáṃ védaṃ vidvā́ṃsam abhíto vádanti
ādityám evá té pári vadanti sárve agníṃ dvitī́yaṃ trivŕ̥taṃ ca haṃsám 17

Those who in recent times, midmost, or ancient, on all sides.greet the sage who knows the Veda,One and all, verily discuss Aditya, the second Agni, and the threefold Hansa.

sahasrāhṇyáṃ víyatāv asya pakṣáu hárer haṃsásya pátataḥ svargám
sá devā́nt sárvān úrasy upadádya saṃpáśyan yāti bhúvanāni víśvā 18

This gold-hued Haiisa’s wings, flying to heaven, spread o’er athousand days’ continued journey.Supporting all the Gods upon his bosom, he goes his way beholding every creature.

satyénordhvás tapati bráhmaṇārvā́ṅ ví paśyati
prāṇéna tiryáṅ prā́ṇati yásmin jyeṣṭhám ádhi śritám 19

By truth he blazes up aloft by Brahma, he looks down below: He breathes obliquely with his breath, he on whom what is highest rests.

yó vái té vidyā́d aráṇī yā́bhyāṃ nirmathyáte vásu
sá vidvā́n jyeṣṭháṃ manyeta sá vidyād brā́hmaṇaṃ mahát 20

The sage who knows the kindling-sticks whence by attrition wealth is drawn,Will comprehend what is most high, will know the mighty Brahmana.

apā́d ágre sám abhavat só ágre svàr ā́bharat
cátuṣpād bhūtvā́ bhógyaḥ sárvam ā́datta bhójanam 21

Footless at first was he produced, footless he brought celestiallight. Four-footed grown, and meet for use, he seized each thing enjoyable.

bhógyo bhavad átho ánnam adad bahú
yó devám uttarā́vantam upā́sātai sanātánam 22

Useful will he become, and then will he consume great store of food The man who humbly worshippeth the eternal and victorious God.

sanātánam enam āhur utā́dyá syāt púnarṇavaḥ
ahorātré prá jāyete anyó anyásya rūpáyoḥ 23

Him too they call eternal; he may become new again to-day.Day and Night reproduce themselves, each from the form the other wears.

śatáṃ sahásram ayútaṃ nyàrbudam asaṃkhyeyáṃ svám asmin níviṣṭam
tád asya ghnanty abhipáśyata evá tásmād devó rocat eṣá etát 24

A hundred, thousand, myriad, yea a hundred million stores of wealth that passes count are laid in him.This wealth they kill as he looks on, and now this God shines bright therefrom.

bā́lād ékam aṇīyaskám utáikaṃ néva dr̥śyate
tátaḥ páriṣvajīyasī devátā sā́ máma priyā́ 25

One is yet finer than a hair, one is not even visible. And hence the Deity who grasps with firmer hold is dear to me.

iyáṃ kalyāṇy àjárā mártyasyāmŕ̥tā gr̥hé
yásmai kr̥tā́ śáye sá yáś cakā́ra jajā́ra sáḥ 26

This fair one is untouched by age, immortal in a mortal’s house. He for whom she was made lies low, and he who formed her hath grown old.

tváṃ strī́ tváṃ púmān asi tváṃ kumārá utá vā kumārī́
tváṃ jīrṇó daṇḍéna vañcasi tváṃ jātó bhavasi viśvátomukhaḥ 27

Thou art a woman, and a man; thou art a damsel and a boy. Grown old thou totterest with a staff, new-born thou lookest every way.

utáiṣāṃ pitótá vā putrá eṣām utáiṣāṃ jyeṣṭhá utá vā kaniṣṭháḥ
éko ha devó mánasi práviṣṭaḥ prathamó jātáḥ sá u gárbhe antáḥ 28

Either the sire or son of these, the eldest or the youngest child.As sole God dwelling in the mind, first born, he still is in the womb.

pūrṇā́t pūrṇám úd acati pūrṇáṃ pūrṇéna sicyate
utó tád adyá vidyāma yátas tát pariṣicyáte 29

Forth from the full he lifts the full, the full he sprinkles withthe full.Now also may we know the source from which the stream is sprinkled round.

eṣā́ sanátnī sánam evá jātáiṣā́ purāṇī́ pári sárvaṃ babhūva
mahī́ devy ùṣáso vibhātī́ sáikenaikena miṣatā́ ví caṣṭe 30

Brought forth in olden time, the everlasting, high over all that is was she, the Ancient. The mighty Goddess of the Morn, refulgent with one eye, looketh round with one that winketh,

ávir vái nā́ma devátarténāste párīvr̥tā
tásyā rūpéṇemé vr̥kṣā́ háritā háritasrajaḥ 31

Known by the name of Guardian Grace the Deity sits girt by Right.The trees have taken from her hue, green-garlanded, their robe of green.

ánti sántaṃ ná jahāty ánti sántaṃ ná paśyati
devásya paśya kā́vyaṃ ná mamāra ná jīryati 32

When he is near she leaves him not, she sees him not though he is near. Behold the wisdom of the God; he hath not died, he grows not old.

apūrvéṇeṣitā́ vā́cas tā́ vadanti yathāyathám
vádantīr yátra gáchanti tád āhur brā́hmaṇaṃ mahát 33

Voices that never were before emitted speak as fitteth them. Whither they go and speak, they say there is the mighty Brahmana.

yátra devā́ś ca manuṣyā̀ś cārā́ nā́bhāv iva śritā́ḥ
apā́ṃ tvā púṣpaṃ pr̥chāmi yátra tán māyáyā hitám 34

I ask thee where the waters’ flower by wondrous magic art was placed,Thereon the Gods and men are set as spokes are fastened in the nave.

yébhir vā́ta iṣitáḥ pravā́ti yé dádante páñca díśaḥ sadhrī́cīḥ
yá ā́hutim atyámanyanta devā́ apā́ṃ netā́raḥ katamé tá āsan 35

Who gave command unto the wind that blowet! Who ranged the five united heavenly regions? Who were the Gods who cared not for oblations! Which of them brought the sacrificial waters?

imā́m eṣāṃ pr̥thivī́ṃ vásta éko ‘ntárikṣaṃ páry éko babhūva
dívam eṣāṃ dadate yó vidhartā́ víśvā ā́śāḥ práti rakṣanty éke 36

One God inhabiteth the earth we live on; another hath encompassed air’s mid-region. One, the Supporter, takes the heaven and bears it: some keeping watch guard all the quarters safely.

yó vidyā́t sū́traṃ vítataṃ yásminn ótāḥ prajā́ imā́ḥ
sū́traṃ sū́trasya yó vidyā́d sá vidyād brā́hmaṇaṃ mahát 37

The man who knows the drawn-out string on which these creatures all are strung,The man who knows the thread’s thread, he may know the mighty Brahmana.

védāháṃ sū́traṃ vítataṃ yásminn ótāḥ prajā́ imā́ḥ
sū́traṃ sū́trasyāháṃ vedā́tho yád brā́hmaṇaṃ mahád 38

I know the drawn-out string, the thread whereon these creatures all are strung. I know the thread’s thread also, thus I know the mighty Brahmana.

yád antarā́ dyā́vāpr̥thivī́ agnír áit pradáhan viśvadāvyàḥ
yátrā́tiṣṭhann ékapatnīḥ parástāt kvèvāsīn mātaríśvā tadā́nīm 39

When Agni passed between the earth and heaven devouring with his flame the all-consumer,Where dwelt afar the spouses of one husband, where at that moment, where was Matarisvan?

apsv ā̀sīn mātaríśvā práviṣṭaḥ práviṣṭā devā́ḥ salilā́ny āsan
br̥hán ha tasthau rájaso vimā́naḥ pávamāno haríta ā́ viveśa 40

Into the floods had Matarisvan entered, the deities had past into the waters. There stood the mighty measurer of the region: into the verdant plants went Pavamana.

úttareṇeva gayatrī́m amŕ̥té ‘dhi ví cakrame
sā́mnā yé sā́ma saṃvidúr ajás tád dadr̥śe kvà 41

Over the Gayatri, above the immortal world he strode away.Those who by Song discovered Song–where did the Unborn see that thing?

nivéśanaḥ saṃgámano vásūnāṃ devá iva savitā́ satyádharmā
índro ná tasthau samaré dhánānām 42

Luller to rest, and gatherer-up of treasures, Savitar like a God whose laws are constant, hath stood like Indra in the war for riches.

puṇḍárīkaṃ návadvāraṃ tribhír guṇébhir ā́vr̥tam
tásmin yád yakṣám ātmanvát tád vái brahmavído viduḥ 43

Men versed in sacred knowledge know that living Being that abides. In the nine-portalled Lotus Flower, enclosed with triple bands and bonds.

akāmó dhī́ro amŕ̥taḥ svayaṃbhū́ rásena tr̥ptó ná kútaś canónaḥ
tám evá vidvā́n ná bibhāya mr̥tyór ātmā́naṃ dhī́ram ajáraṃ yúvānam 44

Desireless, firm, immortal, self-existent, contented with the essence, lacking nothing, Free from the fear of Death is he who knoweth that Soul courageous, youthful, undecaying.

Please see my related posts

The Great Chain of Being

 

Key Sources of Research

Atharva Veda ( X – 7,8) — Skambha Suktam

http://hara-hara-mahadev.blogspot.com/2009/08/atharva-veda-x-78-skambha-suktam.html

The unassailable glory of lord Bhuvaneshwara – the primordial Skambha supporting the worlds

http://www.mahapashupatastra.com/2015/09/the-unassailable-glory-of-lord-bhuvaneshwara-the-primordial-skambha-supporting-the-worlds.html

 

The Lamps And The Cosmic Pillar

https://swarajyamag.com/culture/the-lamps-and-the-cosmic-pillar

 

 

Vedas and Torah

https://www.sunypress.edu/p-1707-veda-and-torah.aspx

Click to access 52791.pdf